Fashion Editor turned home accessory designer Susi Bellamy has a host of inspirational experiences to draw on. From working with legendary photographer David Bailey to living in Florence for six years, this former Condé Nast employer has brought art to the sofa in the form of her stunning cushion line. She chats to The LuxPad about why she left the fashion magazine world to set up her own brand and shares her top three tips on revamping a living space…
You used to work as a fashion editor at Condé Nast publications, how and why did you first get into the fashion industry?
I studied Fashion Journalism at the London College of Fashion and when I graduated at 21 I was taken on as a fashion assistant on a London magazine that were looking for a fashion editor. However after a couple of shoots on my own they made me the Fashion Editor and I never looked back. I had done some work experience when I was at college at Brides Magazine at Condé Nast and a few years later they invited me to interview for the job of fashion editor. It was wonderful working there and a naturally happy environment considering the subject matter. I spent every December in the Caribbean photographing the summer issues and was lucky enough to also work with David Bailey, Norman Parkinson and Lord Snowdon to name a few. Also we were one of the first magazines to use Kate Moss as a model when she was only 16. Working behind the camera definitely helped me as an artist in the future with a view to composition and colour. It has informed my work ever since.
What lead you to leave the fashion world behind and pursue design and setting up your own brand?
I left the magazine world after my first child, Jack, was born and my husband was posted to the States for his work. This secondment didn’t include a green card for me so I took up painting as a hobby. I never stopped painting and after years of practice as an artist I eventually completed a MA in fine art in 2013 which led to me having my own studio in Newcastle. It was only 10 months ago that I set up my own brand when I decided that my artwork could translate well into cushions.
Can you tell us about your time living in Florence – would you say that has inspired your designs today?
Living in Florence for almost 7 years was like a dream come true. I was not only inspired by the history of Florence but also by the fashion and the Italian’s innate sense of colour. When I created my Madonna series of collages, inspired by the street corner shrines, I worked closely with an Artisan framer whose ability with carving and gilding had been handed down for generations. Living and working in such an environment was a daily inspiration and has informed all my work since. The crumbling plaster of the palazzo walls and the beautiful countryside also inspired my abstract work which I create using a plasterer’s trowel to give a textured and layered effect.
Why did you decide to create a line of cushions, and can you tell us about the design process from initial concept to finished product?
I had created some large paintings on wood in my studio and I think it was my background working on magazines that led me to edit and crop them. So I took the large painting downstairs to the woodwork studio and asked them to cut it up into 8 equal squares. I placed this work on a shelving system I have in my studio and studied them for a while. It then became apparent to me that they could possibly work well as cushion designs and the rest is history. I carried on working on some of the crops and left others – I then photographed them and had them digitally printed using dye- sublimation printing by a British printer in Nottingham. I found this was the best sort of printing to harness the colour. I also work from marbled paper which I had produced in Florence to create a second range of cushions which I felt worked well with the abstracts. All the cushions are piped, which gives a frame like effect to the printed artwork, and the backing fabric is chosen carefully to complement the colour palette. This led me to describe them as ‘art for the sofa’. I enjoy the transition from 2d to 3d.
All of your cushions are made in England, is that something that is important to you?
It is very important to me that my product remains very British. Quality is of the utmost and I didn’t want to compromise that by printing abroad where I had no control over the process. I also feel proud to be showing my work with integrity and supporting our economy.
Can you tell us about your work with The Colour Group?
The Colour Group (GB) is a non-profit organisation that promotes colour education and shares information to anyone interested in colour. A lot of the members and committee members are scientists and they approach colour from a completely different angle to me but I was brought in to help organise events around art and fashion. I have organised art workshops, lectures at the Tate Modern on Malevich and Sonia Delaunay as well as a Science event in Newcastle. We meet at City University in London once a month and it has opened my eyes to many aspects of colour and a broad range of interesting people. You could describe us as ‘colour nerds’!!
What is your most treasured possession and why?
I have a copy of a Michelangelo bust in gesso that an Italian friend of mine made in Florence. Her father had owned a shop in the historic centre and owned moulds of Renaissance sculpture – the father died and the shop closed down but every time I look at it I am transported back to Florence and the Bargello (sculpture museum) and the Uffizi. I can even smell the coffee!
How would you describe your own home style and what is your favourite room in your house and why?
I would describe my home style as classic with a twist and full of colour. We live in the main wing of a large house in the Tyne Valley near Hadrian’s Wall and my favourite room is my kitchen as it has uninterrupted views from a bay window across the valley with not one blot on the landscape and a great view of my neighbours beautiful horses. The kitchen was handmade by a local Northumberland craftsman and has lovely high ceilings and original coving. It is also painted in various ‘shades of grey’ but then punctuated by brightly coloured ticking, faux coral sculpture and Tuscan pottery. In the same way as I was keen to have my cushions be made in the UK, I also have worked with local craftspeople on my home. We have so much talent here.
What are your top three tips for revamping a living space?
- Colour – colour can transform a space and be uplifting. There are so many beautiful colours to choose from but I particularly like the tertiary tones – the ones that are slightly slubby and toned down versions of the primaries.
- Interesting and eclectic art and objects – I love to mix old and new, traditional and abstract. It adds a twist to an interior. I particularly like sculptural objects on plinths.
- Lighting – a good mixture of lighting adds mood and allows you to change it depending on yours.
What has been the hardest part of setting up your own brand and so far what has been the most rewarding part of the experience?
The hardest part of setting up my own brand has been working to get things right and making mistakes. It is not just the creation of the design and the choosing of the backing fabric but the whole infrastructure of building a brand and the everyday practicalities such as postage and packing that need to be addressed. The most rewarding part of the experience has been when I have received positive responses to the range and the few times I have been lucky enough to get some lovely press.
Susi Bellamy cushions are now available at Amara.